March Brings Cabaret, Jazz, Noontime Concerts

The arts in Wilmington offer music—inside and outside

This month, The Playhouse on Rodney Square transforms into the infamous Kit Kat Klub, as Cabaret takes the stage March 13-18.

Based on Roundabout Theatre Company’s Tony Award–winning production, Sam Mendes and Rob Marshall’s version of Cabaret marks the first visit to Wilmington for this Broadway revival. Mendes and Marshall are the original director and co-director/choreographer, respectively,

Get ready to be welcomed to the notorious nightclub where the emcee, Sally Bowles, and a sexy, raucous ensemble nightly titillate, tantalize and entice crowds to “…leave your troubles outside.” But as the atmosphere in pre-World War II Germany grows tenuous, will Berlin’s decadent nightlife be enough to get through?

This renowned musical—book by Joe Masteroff and music and lyrics by John Kander and Fred Ebb—originally opened on Broadway in 1966 and London’s West End in 1968. Cabaret has since enjoyed many revivals (London in 1986, 1993, 2006 and 2012; Broadway in 1987, 1998 and 2014) and, of course, the memorable 1972 film starring Liza Minnelli. It features some of the most recognizable songs in theater history, including the hallmark “Cabaret,” “Willkommen” and “Maybe This Time.”

This all-new production launched in December 2017 in Worcester, Mass., with tour direction by BT McNicholl, tour choreography by Jennifer Werner and original costume design by William Ivey Long. The company of 21 quadruple-threat performers (actors, singers, dancers and musicians) features Erik Schneider as the animated Emcee, Bailey McCall Thomas as British chanteuse Sally Bowles and University of Delaware alumnus Carl Pariso as American writer and Sally’s tortured love, Clifford Bradshaw.

During his time at the University of Delaware, Pariso studied Music Composition and Theatre Performance and performed with The REP, Chapel Street Players and UD Chorale. He now makes his home in New York City.

Cabaret opens for a press preview on Tuesday, March 13, and runs through Sunday, March 18. Tickets start at $40, and discounts are available for seniors and groups of 10 or more. Call The Playhouse Box Office at 888-0200 for discount information or visit ThePlayhouseDE.org to purchase tickets online.

Christina Cultural Arts Center Hosts Wilmington Debut of Jazz Songstress

Christina Cultural Arts Center continues its streak of presenting well-known regional and national musicians in the intimate setting of its Clifford Brown Performance Space. On Sunday, March 11, Christina welcomes jazz siren Alicia Olatuja in her area debut.

The St. Louis–born Olatuja—who rose to fame after her 2013 performance at President Obama’s second inauguration—released her first solo album, Timeless, in 2014. Her influences include gospel, soul, jazz and classical genres and she has performed with such renowned artists as Chaka Khan, BeBe Winans and Christian McBride.

Christina Executive Director H. Raye Jones Avery notes that during the 2017 Mid-Atlantic Jazz Touring Network members’ conference, Olatuja was recognized by Newport Jazz Festival musical director McBride as one of the newest “voices to experience.”

“The outstanding endorsements resonating from her performance at the inauguration and directly from Christian McBride led us to the obvious choice to invite Alicia to Christina Cultural Arts Center’s Jazz Touring Network performance season this year,” says Avery. “Alicia’s lush tone and welcoming stage presence will surely draw audiences into her magnetic personality and performance.”

Tickets for this up-close-and-personal performance are only $20 and are available at ccacde.org through March 10. Olatuja’s engagement with Christina is made possible through The Jazz Touring Network of Mid-Atlantic Arts Foundation with support of the National Endowment for the Arts’ Regional Touring Program.

Alicia and her band have performed throughout the country at venues like the Jazz Standard, Vermont Jazz Center, Sioux Falls JazzFest, Rockport Jazz Festival, Markham Jazz Festival, Monty Alexander Jazz Fest and the Harlem Stage Gatehouse.

Market Street Music Welcomes Spring with Musical Diversity

Market Street Music opens its spring performance season with three full-length Festival Concerts and a dozen Thursday Noontime Concerts, all beginning this month.

Leading off the Noontime Concert calendar is a Thursday, March 1, spring celebration by Center City Chorale, aptly entitled “Jubilate!” The weekly series continues through May 10 with genre-spanning artists, including duos of clarinet/piano and violin/piano; a banjo soloist; and a sneak preview of OperaDelaware’s April/May Puccini festival. Admission for all Thursday Noontime Concerts is a suggested donation of $5.

The Festival Concert lineup is equally diverse, beginning with a Sunday, March 4, 3 p.m. return performance by popular chamber ensemble Pyxis Piano Quartet. Pyxis, known for a sold-out series at the Delaware Art Museum, will present a program of piano quartets by Surinach and Chausson.

On Friday, April 20, at 7:30 p.m., Market Street Music welcomes another repeat performance, by Ayreheart Renaissance Music. Founded by Grammy-nominated lutenist Ronn McFarlane, Ayreheart brings the lute—known as the most popular instrument of the Renaissance Era—into the 21st century with the all the energy and flair of a rock concert. This dynamic three-piece ensemble performs music from the Renaissance, interspersed with traditional Scottish and Irish tunes and Celtic- , Renaissance- and Americana-inspired originals.

Finally, the talented Mastersingers of Wilmington present an All-German concert of works by Bach, Buxtehude and Mendelssohn to round out the season on Saturday, May 19, at 7:30 p.m.

All Market Street Music performances are held at First & Central Presbyterian Church, on the corner of Rodney Square across from the Hotel du Pont. Tickets for Festival Concerts are $20 ($10 for students) at marketstreetmusicde.org or $25 at the door.

The Playhouse is Back

The Wizard of Oz is coming to The Playhouse Nov. 14-19. Photo courtesy of The Playhouse on Rodney Square

…and you can become a partner in its success

The Playhouse has an exciting Broadway season coming up, complete with four full-week productions and two special weekend engagements. After three years under The Grand’s management, the entire Playhouse staff is thrilled about the direction “Broadway in Wilmington” is headed and about the transformation that has already occurred.

To usher in the new season, The Playhouse has introduced a patron loyalty program, called Playhouse Partners. This initiative is designed to reward subscribers for sharing information about performances, capitalize on word-of-mouth advertising and increase audiences and overall downtown visitors throughout the year.

Playhouse Partners gives existing subscribers a rebate when they bring a new subscriber to the Playhouse.  For every new referral subscription generated, the existing subscriber receives a $20 rebate—and the new patron will save the same $20.

“We created the Playhouse Partners program as a reward for those subscribers who actively assist us in building that audience,” says Playhouse Executive Director Mark Fields. “They benefit in two ways: a secure future for Broadway shows at The Playhouse and a little cash back in their pockets. It’s a win-win.”

Dorothy (Cassie Okenka) and Toto (Snickers) from the 2008 tour. Photo courtesy of The Playhouse on Rodney Square
Dorothy (Cassie Okenka) and Toto (Snickers) from the 2008 tour. Photo courtesy of The Playhouse on Rodney Square

Initial response to the program has been positive. “We wanted to find a way to mobilize current subscribers to help us rebuild a regional audience for high-quality musical theater,” Fields says. “After all, they understand the value first-hand, and a stronger base of support for us means a steady supply of shows for everyone to enjoy.”

And more changes are coming. With the sale of the Hotel du Pont, both staffs are seeing positive changes in the partnership and communication between the hotel and theater. The construction underway has created its unique set of challenges, but both organizations are excited to see this relationship create cross-pollination opportunities between theater patrons and hotel guests.

“As we continue to make the attending experience inside the theater as great as it should be, we are pleased that the Buccini/Pollin Group is working to make the building itself more inviting, more varied, and more enjoyable than it has been in recent years,” Fields says. “The coming years will see upgrades to the Hotel, a new food hall, reinvigorated retail, and eventually residents in the building.” 

Fields recognizes that it will take a while to bring about these improvements, and there will be some temporary inconvenience. But, he says, when it’s all done, the building will be transformed into a real showplace, where everyone will want to go and of which everyone can be proud.

Go Over the Rainbow

The Playhouse season begins with what is possibly the greatest family musical of all time, The Wizard of Oz, touching down with eight performances, Nov. 14-19. This magical production—a celebration of the 1939 MGM movie classic—includes breathtaking special effects that will sweep audiences away from the moment the tornado twists into Wilmington. Tickets are on sale now at ThePlayhouseDE.org or at 888-0200. They start at $40.

Leading the cast as Dorothy is Kalie Kaimann, who previously played the role for the Children’s Theatre of Cincinnati. Chris Duir will play the role of Scarecrow/Hunk; Christopher Russell portrays Tinman/Hickory; and Victor Legarreta portrays the Lion/Zeke.

The other leading roles include: Emily Perzan (Miss Gulch/Wicked Witch of the West); Kirk Lawrence (Professor Marvel/The Wizard of Oz); Ashleigh Thompson (Aunt Em/Glinda); and Michael Weaver (Uncle Henry/Gatekeeper).

Most important, everyone wants to know who will play Toto. That would be Murphy, a white Brussels Griffon/Cairn terrier mix with scruffy fur and an adorable underbite.  Murphy was rescued from the Chandler, Ariz., ASPCA by Lizzie Webb, music director for The Wizard of Oz tour. This will be his second time playing Toto. He even has his own hashtag: #montanamurphy.

Director Dean Sobon previously created the national tours of Fiddler on the Roof and Seven Brides for Seven Brothers. Amy McCleary, director/choreographer of the national tour of Memphis: The Musical, will create the magical choreography. 

As expected, the production will feature all the classic songs by Harold Arlen: “Over the Rainbow,” “Ding-Dong! The Witch is Dead” and “If I Only Had A Brain.”

This opening production promises to captivate the entire family as you travel down the yellow brick road for an unforgettable day at the theater. For more information visit wizardofoztour.com or theplayhousede.org

Literary Café Features Author Jeff Hobbs

Christina Cultural Arts Center leads off its 71st year by unveiling the The Literary Café, a free community program and a partnership with New Castle County Libraries/NCC Community Services.

“For young people to gain a passion for reading, it’s critical for them to observe adults reading and engaging,” notes CCAC Executive Director H. Raye Jones Avery. “Our Literary Café takes the private experience of a great read to the next level by connecting authors and community, and enabling literature lovers to form relationships through robust discussions.”

The first edition of the Café welcomes New York Times best-selling author and Kennett Square native Jeff Hobbs, who will discuss his book, The Short and Tragic Life of Robert Peace. Hobbs graduated from Tower Hill School, followed by Yale in 2002. His work is a haunting nonfiction story with a title that is tragically revealing. Hobbs and Peace were roommates at Yale, and the book is filled with questions about Peace’s life and whether anything could have saved him.

“Our first pick for the Café season is masterfully written by a regionally born author,” Avery notes. “Jeff Hobbs’ work serves as a catalyst for readers to consider how they might redirect loved ones from ‘no return’ toward self-fulfillment.”

The public is invited to join the conversation on two dates—Friday, Oct. 20, 6:30 p.m., at the Route 9 Library & Innovation Center in New Castle, or Saturday, Oct. 21, 3 p.m., at CCAC in Wilmington. Both will be facilitated by Hugh Atkins, former English Department Chair at Tower Hill School, who taught Hobbs. The events are free, but advance registration is encouraged at ccacde.org.

CCAC enjoys a longtime partnership with Atkins and the Wilmington Public Library, which makes this new collaborative venture with the Rt. 9 Library special. In the future, Avery notes, there will be more programs from CCAC in which literature and youth literacy take center stage.

DTC’s 39th Season Delivers a 1-2 Punch

Delaware Theater Company brings a true-life narrative of sports history and racial unrest to the stage in its debut of the one-man powerhouse, Dare to Be Black: The Jack Johnson Story.

Against the backdrop of an intolerant turn-of-the-century America, Jack Johnson – the first acknowledged black heavyweight boxer (1908-1915) – tells his story, through solo performer and play author Tommie J. Moore.

“Jack Johnson was an African American before his time,” says Moore. “He did things in the late 1800s and early 1900s that some would call suicide.”

A controversial figure in the boxing ring and in his personal life, Johnson made headlines for his interracial relationships during the Jim Crowe era. After wresting the heavyweight title from Tommy Burns in 1908, he married Etta Duryea, a white woman, in 1910. Johnson then became the target of white supremacists, who sought a white boxer—”The Great White Hope”—to defeat him. Ultimately, Johnson was arrested twice for illegal transport of white women across state lines. He was convicted, and spent a year in prison. More than a century later, there is a movement to have Johnson posthumously pardoned.

Moore wrote the story as a monologue in one week. He says he felt a need to tell the story. “I know he’s passed away, but this is more about the need for an apology,” Moore says, adding that a pardon would bring focus to the forgotten boxer and the racism that stigmatized the memory of his career.

This hard-hitting journey runs Oct. 25 through Nov. 12. Tickets can be purchased online at DelawareTheatre.org or call 594-1100.